The Rest of The Best American Poetry 2009

Posted Jan 12, 2010 at 10:23 pm, Jared Stein

I don’t quite have it in me this month to spend the hours necessary writing a review of one last poem from Best American Poetry 2009. I thought I would, and pushed my intention two weeks into the new year, but one has to let somethings go. There are books to read, letters to write, poems to finish, fiction to thresh, teaching to do, presentations to plan, children to play with, a house to keep up, films to watch, panic to wrestle with, sleep to catch up on, friends to visit, cards to organize, etc., etc.

But I will list a handful of notable poems from BAP 09 that I either thought about or planned to review before the year was out (from top to bottom):

  1. J. D. McClatchey, “Lingering Doubts” (p 84). Incredibly dense and curious. I’m still several readings from comprehending this one, but I want to.
  2. Pattiann Rogers, “A Blind Astronomer in the Age of Stars” (p 108). A moving, human poem that uses language to explore, in and out, as well as describe.
  3. P. Hurshell, “In Winter” (p 60). Because it is winter, and beacuse it cuts so sharply from image to image while maintaining its theme.
  4. Jeanne Murray Walker, “Holding Action” (p 137). It may be sentimental, simplistic, or just another metapoem, but I liked the collection of imagery all tied to the potential of letters (ambiguity intended, I think) to preserve that which we love.
  5. Christine Marshall, “Sweat” (p 80). Because unlike the man in the introductory quote, I’m OK (and more) with a sweating girl.
  6. Phillis Levin, “Open Field” (p 70). I didn’t have enough time to decipher it, but I still like it.
  7. Mitch Sisskind, “Like a Monkey” (p 117). After too many mediocre Adam/Eve/Eden poems I rashly dismissed this amusing and poignant postmodern love poem on first read.
  8. Sarah Lindsay, “Tell the Bees” (p 74). Leads an intimate, enigmatic path through a local environment that is both alien and familiar.
  9. Albert Goldbarth, “Zones” (p 31). Bizarre and memorable imagery.
  10. Denise Duhamel, “How It Will End” (p 24). I didn’t want it to, but this poem stuck with me for weeks.

There may be a couple on this list that I’d cut on another reading, but there are probably a couple from BAP 09 that I missed, either from failed memory or misunderstanding. Until BAP10 in December…

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